Exhibition of Hayashi Kazune |
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From one string to the universe Unexpected relation I thought that everything was natural. If I notice it, it becomes the necessity unconsciously. With the great nature, The invisible connection continues spreading endlessly unexpectedly. It seems like to be a ripple. It is likely to be visible but it is not visible. It is a thing like understand but doesn't understand. The hole was gaping open. While being complicated, With simplicity, Unexpected relation should move me again. This behavior to express also continues from one string to the universe. |
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sWhat is ga holeh of the real image and in the virtual image? t | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Also unexpectedly, we tend to overlook a certain ordinary thing in our life. And I think that we forget that it was special in fact. There is something that seems to understand but cannot comprehend. As if connection of person and person, @The invisible connection spreads endlessly, While being watched by the great thing called nature, We are very tiny and we can live as gholesh Nature is indispensable to me and I cannot make a living without it. It is a familiar presence. I have been attracted by such a natural material and I have used it for my work to expression. The house where we live and the room are also one space "hole." Even if we thought that we entered itc. if we browse the surroundings, there will be full of gholes.h We are only still outside as gholes.h It is psychological "hole" which is not visible, a virtual image, a real image, and existence value are up to persons. We do not comprehend where of gthe gaped open hole" for whether it is a boundary or not. We do not know that is it inner side, is it the outside or is it still in inside? We are led to such the mysterious world when we think it deeply. Because of the unexpected relation, moreover, it moves something newc. I will connect from one string to the universe and I would like to challenge the "hole" that nobody has still seen. |
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the first movement Wïi | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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